It has actually been cold here in Arizona the last few days-
beautiful blue skies and sunshine, but a cold wind coming from somewhere snowy,
I think! I have been wearing layers and wondering if I have enough warm clothes
to get me through! I am told these spots of cold come and go, so soon I will be
wearing my cotton pants again! The pool at the Recreation Centre is still a
beautiful warm temperature so it hasn’t stopped me swimming.
As I mentioned in my last post, it is the time of year when
students are handing in their final assignments and I have been lucky enough to
hear their presentations, taking copious notes as I go! One doctoral class I have
been auditing is taught by my colleague here at Arizona, Professor Kathy Short,
and is called ‘ Critical Content Analysis of Text and Image’. Last week the 11 students gave short presentations of their
final papers (or assignments) which I have learnt a great deal from. To give
you a taste of their work, I’ll present three of the picturebooks discussed and
the theoretical frameworks used to analyse them below.
Heartbeat by Evan Turk (2018) is a story of a mother
whale and her calf who are separated by death when the mother is harpooned. The
text is simple, echoing the slow rhythm of a heartbeat, while the weight of the
narrative is in the richly coloured images which encourage the reader to see
human’s relationship with nature. The student who presented this used an
Ecofeminism theoretical framework to analyse the way in which this book
disrupts the false binary between humans and nature.
Another student presented an analysis of around 5 picturebooks presenting stories from the LGBTQ community to see the range of
ways in which these stories were told. Julian is a mermaid (by Jessica
Love, 2018) , is a book which I had heard of previously, which has been criticised (see here for a review along these
lines). A book I hadn’t met before was When Aidan became a brother (Kyle Lukoff and Kaylani Juanita, 2019) about
a transgender child waiting for the arrival of a new sibling, and thinking
about what it will be like.
A third student analysed a pair of picturebooks through the
lens of postcolonialism, examining how grandparents were represented in two
picturebooks featuring grandparents in Indian families. In My Dadima wears a
sari (Kashmira Sheth and Yoshiko Jaeggi, 2007), Dadima (grandma) explains
to her grand-daughter why she wears a sari and all of the many things she can
do with her Sari.
I hope these three examples give you an insight into the
richness of the students’ work, and the possibilities in children's literature research. I felt very privileged to be there.
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