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Some cold weather and some great presentations



It has actually been cold here in Arizona the last few days- beautiful blue skies and sunshine, but a cold wind coming from somewhere snowy, I think! I have been wearing layers and wondering if I have enough warm clothes to get me through! I am told these spots of cold come and go, so soon I will be wearing my cotton pants again! The pool at the Recreation Centre is still a beautiful warm temperature so it hasn’t stopped me swimming.

As I mentioned in my last post, it is the time of year when students are handing in their final assignments and I have been lucky enough to hear their presentations, taking copious notes as I go! One doctoral class I have been auditing is taught by my colleague here at Arizona, Professor Kathy Short, and is called ‘ Critical Content Analysis of Text and Image’. Last week the  11 students gave short presentations of their final papers (or assignments) which I have learnt a great deal from. To give you a taste of their work, I’ll present three of the picturebooks discussed and the theoretical frameworks used to analyse them below.


Heartbeat by Evan Turk (2018) is a story of a mother whale and her calf who are separated by death when the mother is harpooned. The text is simple, echoing the slow rhythm of a heartbeat, while the weight of the narrative is in the richly coloured images which encourage the reader to see human’s relationship with nature. The student who presented this used an Ecofeminism theoretical framework to analyse the way in which this book disrupts the false binary between humans and nature.

Another student presented an analysis of around 5 picturebooks presenting stories from the LGBTQ community to see the range of ways in which these stories were told. Julian is a mermaid (by Jessica Love, 2018) , is a book which I had heard of previously, which has been criticised (see here for a review along these lines). A book I hadn’t met before was When Aidan became a brother  (Kyle Lukoff and Kaylani Juanita, 2019) about a transgender child waiting for the arrival of a new sibling, and thinking about what it will be like.




A third student analysed a pair of picturebooks through the lens of postcolonialism, examining how grandparents were represented in two picturebooks featuring grandparents in Indian families. In My Dadima wears a sari (Kashmira Sheth and Yoshiko Jaeggi, 2007), Dadima (grandma) explains to her grand-daughter why she wears a sari and all of the many things she can do with her Sari.




I hope these three examples give you an insight into the richness of the students’ work, and the possibilities in children's literature research. I felt very privileged to be there.

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